AI companies don’t want to pay for the data they use to train their models

What should surprise nobody, companies that are developing large scale machine learning platforms are adamant they shouldn’t need to pay for the data they use to train their models. The Verge has a convenient summary of the responses from big tech.

Unsurprisingly, the responses are all variations of “copyright holders wouldn’t get much of a licensing fee”, “but the investors spent all this money already”, and “what would be the point we did it already”

Adorno – Preliminary Biography Towards Something

I started reading Theodor Adorno’s Aesthetic Theory this morning before work. It’s an immensely rich text, and I’ll likely sit with it for a little while. But it’s also immediately putting ideas in my head about doing a bit more reading in this vein. It’s actually been sitting on my shelf waiting its turn for a few years, so glad it found its moment.

For now this is a very preliminary bibliography for what’s going to be a reading project at first. I have some vague ideas about where this might go, but it might also end up nowhere, so let’s keep this loose.

My main focus, I think, will be the four monographs on music. I think the Philosophy of New Music will be as good an entry point as any of the other texts. Beyond this, I want to get into some of the essays, starting with his writings on jazz. I assume that there’s a fair bit of redundancy between the collections of Adorno’s essays below, but I’ll keep them all here until I get to that point. Of the secondary sources, the Cambridge Companion is as good a place as any to start, but Okiji’s book came highly recommended to me as well, so I’ll put it near the top of my list. I imagine all this will multiply the reading list many times over, so I’ll post an update in a little while.

As the list below suggests, this is a very new literature to me, so I would welcome any recommendations and notes

By Adorno:

  1. Beethoven: The Philosophy of Music (1993), ed. R. Tiedemann, trans. E. Jephcott, Cambridge: Polity Press, 1998.
  2. Mahler: A Musical Physiognomy (1960), trans. E. Jephcott, Chicago: University of Chicago Press, 1988.
  3. Philosophy of New Music (1949), trans., ed., and with an introduction by R. Hullot-Kentor, Minneapolis: University of Minnesota Press, 2006.
  4. In Search of Wagner (1952), trans. R. Livingstone, London: NLB, 1981.
  5. The Culture Industry: Selected Essays on Mass Culture, ed. J.M. Bernstein, London: Routledge, 1991.
    Essays on Music: Theodor W. Adorno, ed. R.D. Leppard, trans. S.H. Gillespie eat al., Berkeley: University of California Press
  6. The New Music: Kranichstein Lectures, ed., M. Schwarz, K. Reichert, & W. Hoban, Medford: Polity Press, 2021.
  7. Night Music: Essays on Music 1928-1962, Seagull Books, 2009
  8. Sound Figures, ed. Livingstone, R., Stanford University Press, 1999

Secondary:

  1. Burger, P., 1984, Theory of the Avant Garde, trans. M. Shaw, Minneapolis: University of Minnesota Press.
  2. Hahn, T. (Ed.), 2004, The Cambridge Companion to Adorno, Cambridge: Cambridge University Press
  3. Witkin, R.W., 2003, Adorno on Popular Culture, New York: Routledge
  4. Gordon, P.E., and Rehding, A. 2016, Adorno and Music: Critical Variations, Duke University Press
  5. Okiji, F., 2018, Jazz as Critique: Adorno and Black Expression Revisited, Stanford University Press