I started reading Theodor Adorno’s Aesthetic Theory this morning before work. It’s an immensely rich text, and I’ll likely sit with it for a little while. But it’s also immediately putting ideas in my head about doing a bit more reading in this vein. It’s actually been sitting on my shelf waiting its turn for a few years, so glad it found its moment.
For now this is a very preliminary bibliography for what’s going to be a reading project at first. I have some vague ideas about where this might go, but it might also end up nowhere, so let’s keep this loose.
My main focus, I think, will be the four monographs on music. I think the Philosophy of New Music will be as good an entry point as any of the other texts. Beyond this, I want to get into some of the essays, starting with his writings on jazz. I assume that there’s a fair bit of redundancy between the collections of Adorno’s essays below, but I’ll keep them all here until I get to that point. Of the secondary sources, the Cambridge Companion is as good a place as any to start, but Okiji’s book came highly recommended to me as well, so I’ll put it near the top of my list. I imagine all this will multiply the reading list many times over, so I’ll post an update in a little while.
As the list below suggests, this is a very new literature to me, so I would welcome any recommendations and notes
By Adorno:
- Beethoven: The Philosophy of Music (1993), ed. R. Tiedemann, trans. E. Jephcott, Cambridge: Polity Press, 1998.
- Mahler: A Musical Physiognomy (1960), trans. E. Jephcott, Chicago: University of Chicago Press, 1988.
- Philosophy of New Music (1949), trans., ed., and with an introduction by R. Hullot-Kentor, Minneapolis: University of Minnesota Press, 2006.
- In Search of Wagner (1952), trans. R. Livingstone, London: NLB, 1981.
- The Culture Industry: Selected Essays on Mass Culture, ed. J.M. Bernstein, London: Routledge, 1991.
Essays on Music: Theodor W. Adorno, ed. R.D. Leppard, trans. S.H. Gillespie eat al., Berkeley: University of California Press
- The New Music: Kranichstein Lectures, ed., M. Schwarz, K. Reichert, & W. Hoban, Medford: Polity Press, 2021.
- Night Music: Essays on Music 1928-1962, Seagull Books, 2009
- Sound Figures, ed. Livingstone, R., Stanford University Press, 1999
Secondary:
- Burger, P., 1984, Theory of the Avant Garde, trans. M. Shaw, Minneapolis: University of Minnesota Press.
- Hahn, T. (Ed.), 2004, The Cambridge Companion to Adorno, Cambridge: Cambridge University Press
- Witkin, R.W., 2003, Adorno on Popular Culture, New York: Routledge
- Gordon, P.E., and Rehding, A. 2016, Adorno and Music: Critical Variations, Duke University Press
- Okiji, F., 2018, Jazz as Critique: Adorno and Black Expression Revisited, Stanford University Press